Celebrity news

Celebrity news

Queen’s John Deacon is ‘fragile’ | Celebrity entertainment and news

Roger Taylor of Queen’s says John Deacon is “quite fragile”.

The 70-year-old former bassist retired from the legendary rock band in 1997 – six years after his comrade Freddie Mercury died of complications from AIDS – and has tried to stay out of the spotlight and away from people since then because that he’s not in a great place mentally.

Taylor explained, “It is [John] quite fragile. He took so much of Freddie’s death. “

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The 72-year-old drummer believes it took the band – also made up of Brian May – at least “five years” to get over Freddie’s passing.

He told The Times newspaper: “It was a dark time, a massive loss.

“It wasn’t just the band, it was more personal than that. I think it took five years for it to really sink in.”

The “We Will Rock You” hitmakers embarked on a tribute concert at Wembley Stadium in 1992 and completed a posthumous album, “Made in Heaven” in 1995, but they were convinced it was the end of their time. as queen after this.

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Taylor explained, “It was a way to deflect some of the grief. We thought that was it. It was wonderful. But it was over.”

However, it was far from over and their album “Greatest Hits” – released in 1981 – remains the best-selling album in British history and, throughout the coronavirus pandemic, the group has remained in the album and streaming charts.

Taylor said: “At the end of the day I think it’s the strength of the material.

“There is no master plan, just constant attention to getting things done and keeping the embers glowing.”

Taylor and May returned on tour in 2011, with Adam Lambert on vocals in place of Mercury, and they once again became one of the highest-grossing live bands in the world.

Taylor explained, “Meeting Adam was the luckiest thing. He knows he’s not Freddie but at the same time he’s funny and bright and brings a whole new modern dimension to the material … Brian and I like to say we’re brothers from another mother. We are completely different but very close. He’s a good man. Completely crazy, of course, but in a good way. He [May] was still on a bit of a roller coaster. This [depression] wasn’t really understood back then, but people are talking about it now, which I guess is a good thing.

“I’m more positive. I’m trying to get the most enjoyment out of life – so I’ll probably be the first to go! But we’re both very happy to keep doing that, when we physically can. won’t last much longer, let’s face it.

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‘Danger!’ starts season with Richards already ousted | Celebrity news

NEW YORK (AP) – The very brief era of Mike Richards on “Jeopardy!” began on Monday as the beleaguered game show dealt with the embarrassment of opening its 38th season with a host his fans already know he’s toast.

Richards resigned as Alex Trebek’s replacement on August 20 and was ousted as executive producer of the show a week and a half later, after discovering that the podcasts he created in 2013 and 2014 contained humiliating remarks about women and minorities.

Her selection as host by Sony Pictures Television after a long series of tries by other personalities was already unpopular with fans before the old podcasts surfaced.

His ouster came after completing a week of recording shows for the new season, and Sony couldn’t remake them without affecting the integrity of the game.

Richards was introduced as the host on Monday by dejected-looking announcer Johnny Gilbert. Not a word was mentioned about his status as Trebek’s replacement; if it had originally been, it was cut out.

Before it was presented, it was noted that Trebek’s widow and children had been on hand for the dedication of the scene to his former host, who died of cancer last October.

“For the first time on the Alex Trebek stage, let’s play ‘Jeopardy!’, Said Richards.

In keeping with Trebek tradition – he considered the game and its players to be the star – Richards generally took precedence over the action.

The show is in the middle of a historic run by Matt Amodio, a doctoral student from New Haven, Connecticut. He won his 19th consecutive game on Monday, bringing his total winnings to $ 642,601, behind only Ken Jennings and James Holzhauer.

Amodio quickly did the work of contestants Amde Mengistu of Brooklyn, NY, and Gabbie Kim, of Pittsburgh, Pa., Taking home $ 67,800 on Monday.

“Danger!” Next week, actress Mayim Bialik will return as a guest host before starting another round of trials for Trebek’s permanent replacement.

The Richards era will end after five shows. Trebek, which started in 1984, had more than 8,200.

Copyright 2021 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.

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‘Top Gun: Maverick’ flies through 2022 due to coronavirus wave | Celebrity news

NEW YORK (AP) – Paramount Pictures postponed the release of “Top Gun: Maverick” on Wednesday, sending another of fall’s best films to 2021 due to increased cases of coronavirus and the delta variant.

Instead of opening on November 19, the sequel to “Top Gun,” starring Tom Cruise, will debut on Memorial Day weekend next year, May 27. In addition, “Mission: Impossible 7” will be postponed from May 27 to September 30 next year.

The postponement is the latest setback in Hollywood’s once hopeful fall film season. The delta push has upset industry plans for some return to normalcy in multiplexes. The theft of “Top Gun: Maverick” follows a similar delay for Paramount’s “Clifford the Big Red Dog”. Paramount also pushed “Jackass Forever” from October 22 to February 4 on Wednesday.

While some studios have hedged their bets with big releases by showing them simultaneously with the release, Paramount Pictures and Sony Pictures have tried to stay the course of a more traditional theatrical release. Sony previously delayed “Venom: Let There Be Carnage” from September to October 15 due to the increased number of cases. Following Paramount’s announcement, Sony moved “Ghostbusters: Afterlife” from November 11 to 19 on Wednesday.

But several major big-budget releases didn’t leave the fall. Most notably, the MGM and United Artists James Bond film “No Time to Die” is scheduled for release in North America on October 8th.

Until recently, Paramount was preparing to release “Maverick”. Last month, the studio unveiled the film’s first 13 minutes at CinemaCon, the annual exhibitor convention.

Paramount did not keep all of its films. He sold some releases, like “The Tomorrow War”, with Chris Pratt, to streamers. “Infinite,” a poorly rated sci-fi thriller starring Mark Wahlberg, debuted directly on Paramount +. But movies like “Top Gun: Maverick” would normally expect to approach as much as $ 1 billion at the global box office.

Universal’s “F9” grossed more than any other movie during the pandemic, with more than $ 700 million in ticket sales. But most of its revenue came before the delta variant boomed. Paramount’s “A Quiet Place Part II,” one of the first tent poles to wade into theaters earlier this year, grossed nearly $ 300 million worldwide.

Copyright 2021 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.

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A Mixed Weekend at the Box Office as ‘Free Guy’ Takes the Lead Again | Celebrity news

Four new movies starring major stars from Hugh Jackman to Michael Keaton hit North American theaters this weekend and only the one with animated puppies did well. But that wasn’t enough to beat Ryan Reynolds’ action comedy “Free Guy,” which topped the charts for the second weekend in a row.

“PAW Patrol: The Movie,” a Paramount release aimed at very young children that also airs on Paramount +, grossed $ 13 million in ticket sales according to the studio’s estimates on Sunday. It was by far the best of the new openers, which included three adult bias films that failed to find a significant following: The action shot “The Protégé,” starring Keaton and Maggie Q, the thriller of science fiction “Reminiscence” which also airs on HBO Max and Rebecca Hall’s well-reviewed horror “The Night House”.

The top spot went to “Free Guy”, a 20th century Disney release that is played exclusively in theaters. It fell a tiny 34% and added $ 18.8 million over the weekend, bringing its world total to $ 112 million. The studio attributed the strong hold to good word of mouth.

“‘Free Guy’ is a film that harkens back to the days when strong word of mouth and a very engaged star, Ryan Reynolds, combine to make a great first theatrical release,” said Paul Dergarabedian, senior media analyst at Comscore. “It shows that a first theatrical release, even in today’s unusual market, can have legs. It’s very 2019, not in the era of the pandemic. “

The relative success of “PAW Patrol” came as a surprise even to those involved. Although the film is based on a very popular Nickelodeon series, its target audience of under 6 is a wild card. The Delta variant’s issues and its availability to broadcast at home made it an even more moving target.

Chris Aronson, president of national distribution for Paramount Pictures, said the weekend was a “very nice, very pleasant surprise.”

“It’s a younger audience and we’re living in an interesting time, but I think our marketing teams, both on our side and on the show side, have done a tremendous job of getting the message across,” he said. said Aronson. “The puppies are loved a lot and have a very, very loyal following.”

The studio said the audiences that visited the theaters were diverse (41% white, 34% Hispanic and 20% black) and were mostly made up of families with very young children. Aronson also noted that for younger people, “PAW Patrol” is probably their first experience in a movie theater.

Celebrities who voiced characters on “PAW Patrol” included Tyler Perry, Jimmy Kimmel, Yara Shahidi and Kim Kardashian.

Disney’s “Jungle Cruise,” which is available to rent on Disney + for $ 30, clinched third place on its fourth weekend release. So far, the Dwayne Johnson and Emily Blunt action-adventure has grossed $ 174 million worldwide.

In its first weekend, Millennium Media’s “The Protégé,” starring Keaton, Q and Samuel L. Jackson, earned $ 2.9 million at 2,577 sites. Distributed by Lionsgate, the Martin Campbill-directed action shot of Q’s killer character Anna calling for justice has received mixed to positive reviews.

Searchlight’s well-reviewed “The Night House” did not hit its opening weekend audience, which awarded it a C-CinemaScore. The indie horror about a recently widowed woman played by Hall grossed an estimated $ 2.9 million from 2,240 locations.

Meanwhile, “Reminiscence” with Jackman, Rebecca Ferguson and Thandiwe Newton fizzled out with just $ 2 million across 3,265 locations. The directorial debut of “Westworld” co-creator Lisa Joy, “Reminiscence” also airs on HBO Max.

This is one of the many Warner Bros. ‘ adult films that disappointed the hybrid release strategy, including the thrillers “Those Who Wish Me Dead” with Angelina Jolie and “The Little Things” with Denzel Washington. The studio is releasing its entire 2021 slate on HBO Max and in theaters simultaneously.

“I think there is some confusion among consumers,” Dergarabedian said of the many hybrid delivery strategies. “When people are faced with a myriad of options, they have to figure out how and where they can get that content. To beat the noise, you really need to have a movie that gets the buzz. ‘Free Guy’ is that movie. which is causing the buzz and it is only available in theaters. “

Estimated Friday-Sunday ticket sales at US and Canadian theaters, according to Comscore. Final national figures will be released on Monday.

1. “Free Guy”, $ 18.8 million.

2. “PAW Patrol: The Movie”, $ 13 million.

3. “Jungle Cruise”, $ 6.2 million.

4. “Don’t breathe 2”, $ 5.1 million.

5. “Respect”, $ 3.8 million.

6. “The Suicide Squad”, $ 3.4 million.

7. “Le Protégé”, $ 2.9 million.

8. “The House of the Night”, $ 2.9 million.

9. “Reminiscence”, $ 2 million.

10. “Black Widow”, $ 1.2 million.


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New Orleans tourism industry worries as coronavirus rages | Celebrity news

NEW ORLEANS (AP) – It’s a neighborhood bar and restaurant, but for two long weekends each year, Liuzza’s by the Track “regulars” include a bustling crowd of tourists having drinks and settling in. for meals on the way in and out. the New Orleans Jazz and Heritage Festival nearby.

Co-owner James Gonczi estimates that out-of-town residents make up between 30-35% of his clientele during the seven-day festival each spring. Due to the coronavirus pandemic, the festival has not been held for two years now.

It looked like the music would be played this fall – organizers recruited the Rolling Stones to host a rescheduled festival in October. But then the highly contagious Delta variant exploded, forcing another cancellation.

Gonczi doesn’t even want to talk about it. “I don’t want to be depressed anymore,” he says.

Jazz Fest typically draws hundreds of thousands of people from all over the world to the city. They come every year for the unique food, music, and culture, playing a major role in a tourism and hospitality industry that is driving New Orleans’ economy.

This industry has been hammered by the pandemic, which has forced many bars, restaurants and concert halls to close or limit their activities. At one point unemployment in the city was as high as 20%, and it has not recovered, with an unemployment rate of 12% now.

It looked like decent times, at least, would return last spring, as vaccinations began and visitors began to return. Occupancy rates topped 50% this summer at downtown hotels, which isn’t bad compared to the single-digit numbers from the previous summer, said Kelly Schultz, spokesperson for New Orleans & Company, which promotes the city as a tourist destination. But she said there had not been a full rebound as international tourists, cruise ship passengers and business travelers had yet to return.

The tourism organization has suspended some of its ads until September, as polls have shown travelers worried about the delta’s surge. Louisiana has been a hotspot for this fourth wave, with hospitalizations repeatedly hitting record highs and medical staff expressing concerns about overflowing hospitals.

Losing the Jazz Fest again should be a ‘giant wake-up call’ to get more people vaccinated, Schultz said: ‘This is all completely preventable with the vaccine. “

Earlier this month, New Orleans began requiring anyone entering bars, restaurants, music clubs and even the Superdome to show proof of vaccination or a recent negative coronavirus test. The city and state also require masks to be worn in stores and other indoor locations, but have not reverted to closures or capacity limits for live music, restaurants and bars that were implemented when the pandemic has started.

Many companies also take their own precautions. When infections started to rise again, the Carnival Lounge reinstalled transparent shields separating the stage from the crowds. Despite this, a few groups have canceled due to concerns over rising infections, owner Jennifer Johnson said.

Live music events were one of the last things to open freely last spring, and venue operators fear they will be the first to face restrictions if hospital admissions continue to rise.

“I can’t say enough about how overwhelming it would be if the live music were to stop again,” Johnson said.

Even before the mayor’s announcement, dozens of places have already decided to impose vaccines or negative coronavirus tests. Carnival is one of them, as is Palm & Pine, a restaurant in the French Quarter blending influences from the South, the Caribbean and Central America. Palm & Pine took the plunge because their employees have children, and they noticed how many children were getting sick during this fourth wave.

While the Jazz Fest is by far the biggest event to be canceled, August has been a bleak month. An event that attracts art lovers who wear white on their gallery visits has been canceled, as has the Red Dress Run, which sends thousands of revelers scurrying through town. The September French Quarter Festival, featuring dozens of artists performing in outdoor venues, was later canceled. Now, many fear the pre-Lent parades and Mardi Gras street parties, which draw tourists from all over the world, will be closed again in 2022.

Losing the Jazz Fest means Linda Green – often referred to as Lady Ya-Ka-Mein for her signature noodle dish known as The Hangover Cure – won’t put more than two dozen people working on two of the festival stands.

She hasn’t hosted a big catering event since Mardi Gras 2020. She has found other ways to make ends meet, including pop-ups at a local concert venue. But losing the Jazz Fest is overwhelming.

“I do all the festivals in town,” she said. “I can’t do anything right now. It hurts.”

Many still hope that this latest wave will not worsen and that this fall’s tourist season can be saved. New Orleans has a higher vaccination rate than the rest of Louisiana and neighboring states, which could be important as tourists decide where to spend their vacation money.

At the Royal Sonesta hotel in the French Quarter, the growth in activity which resumed in mid-March has stabilized. Many guests who were planning to come for the Jazz Fest have been canceled and new bookings have slowed down a bit, said Al Groos, hotel manager. If they can withstand that push, they could still have a “very, very good fall,” he said hopefully. “Not based on the 2019 standards, but on the basis of 2020,” he added.

Copyright 2021 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.

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Silenced by COVID, Mariachi Mass Returns to Tucson Cathedral | Celebrity news

TUCSON, Ariz. (AP) – A festive trumpet explosion blossoms and a guitarrón bass shatters the solemn silence of mass on a scorching August morning in the desert. Dressed in costumes embroidered with gold, nine musicians choose, strum and deceive the entry hymn under high stained glass windows.

After more than a year of silence due to the pandemic, mariachis replay Sunday services at St. Augustine’s Cathedral in Tucson, where the colorful and sonorous tradition dates back half a century and fuses Roman Catholicism with pride Mexican-American.

For the hundreds of worshipers gathered in this Spanish colonial church, and other congregations across the southwest, the unique sound of the mariachi liturgy is more than just another version of the choir. It evokes an identity of border countries where spirituality and folk music have mingled for centuries.

“Syncretism is the reality of this land, the reality of the ‘ambons,’ said Reverend Alan Valencia, rector of the cathedral, who grew up attending mariachi mass in ‘ambos Nogales’, or ‘the two Nogales’ , as locals refer to the two cities of the same name straddling the US-Mexico border about 60 miles (100 kilometers) to the south.

“And that’s what we see in these mariachi masses,” he added. “Faith and culture come together and grow. “

Mariachi forms the soundtrack of everyday life here in the border regions, accompanying everything from backyard barbecues to coming-of-age parties to weddings and funerals.

Yet while mariachi is a grassroots genre popular, musicians and parishioners say its emotional interplay between trumpet, violin, guitar, vihuela, and guitarrón is a natural complement to the sacred rites of Mass.

“The mass itself is a reminder that you don’t just have mariachis you give at the table in a cantina,” said Alberto Ranjel, who has been playing at the cathedral since the age of 9 and now directs the set founded by his father, Mariachi Tapatio. . “It’s a representation of my culture.”

Worshiper Leilani Gomez echoed this sentiment, saying, “They bring to mass culture and art, as well as the presence of God. They make you feel the presence of God.

The first canon of the Mariachi Mass was composed in Cuernavaca, Mexico, after the Vatican encouraged the incorporation of regional musical traditions into services in the 1960s. Called Misa Panamericana, or Pan American Mass, it features a specific order. instrumental arrangements, sung prayers and hymns, according to Dan Sheehy, director and curator of Smithsonian Folkways Recordings.

At that time in the United States, the Chicano civil rights movement was in full swing and Mariachi musicians transformed from folk troubadours into cultural heroes, “symbols of Mexican identity reinforced here due to multiculturalism,” he said. added Sheehy.

Hundreds of Mariachi school programs followed in the 1970s, when music began to be written instead of taught through lyric training, said George Bejarano, who in 1973 began performing with the youth group Los Changuitos Feos, or “the ugly little monkeys”. and whose family has been in border areas “since before there were borders”. In addition, female musicians began to join traditionally male ensembles.

The mainstays of the Mariachi Mass include the merry “Pescador de Hombres” or “Fisherman of Men” – the Spanish-speaking equivalent of “Amazing Grace” for its popularity and ubiquity – and a gripping rendition of the 19th century classic by Franz Schubert, “Ave Maria.

During performances of the latter in the cathedral, Ranjel turns to face a painting of the Virgin of Guadalupe, patroness of Mexico and the Americas, and intones the Latin version of the lyrics.

“The prayer aspect is what I respect by singing it in Latin,” he said.

Four ensembles take turns performing Mass in Spanish at 8 a.m. in the cathedral in central Tucson, one Sunday each per month. All volunteers, they generally spend at least two hours a week in rehearsal and on the day of mass, they get up before dawn to prepare their charro trajes, richly decorated costumes originating in Mexico and commonly worn by groups of mariachis. .

For musicians like Daniel Rodriguez, frontman of Cuco Del Cid’s Mariachi Herencia, who has been present at the cathedral for 20 years and also at Most Holy Trinity Church in the northwest of the city, performing is a way of giving back to the community.

“When you sing or there is music offered to God, it’s like praying but it’s more powerful,” Rodriguez said. “For us to be a driving force through our music, to inspire people to come back and stay at Mass, that’s really powerful. “

On September 18, Los Changuitos will attend a special mass in honor of victims of the coronavirus pandemic, which has killed nearly 2,500 people in Pima County in Tucson and silenced mariachi services from spring 2020 through on their resumption at the end of last month.

On a recent Sunday, the show continued even after mass had ended, with musicians serenading worshipers on the palm-fringed patio outside the cathedral. Wearing face masks against the resurgent virus, people held up smartphones to record the sights and sounds of a common heritage they had sorely missed.

“They bring unity to the church. It’s more spiritual, ”said Diana Pacheco, who has attended Mariachi Mass since childhood. “Without them it was a very empty feeling for us here.”

Victor Soltero, who has worshiped at the cathedral for fifty years, also welcomed their return.

“It makes you happy,” Soltero said, “and what better way to come and honor the good Lord than to have beautiful music that carries you away.”


The Associated Press religious coverage receives support from the Lilly Endowment via The Conversation US. The AP is solely responsible for this content.

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